As the climax of the critically-acclaimed show “Succession” draws near, Kendall Roy stands before his brother and sisters in a conference room, confidently touting himself as their leader: “I will be the successor.”
Certainly, that situation was not featured on the popular HBO series, but it does demonstrate how sophisticated artificial intelligence is compared to the genuine article. However, as the Writers Guild of America is striking in order to ensure advantageous circumstances and more profitable streaming residuals, the television networks have not shifted with respect to writers’ demands for the regulation of AI in the area of writing.
Adam Conover explained to TechCrunch that they should not have to alter any output from AI, or conceive of it as authors’ labor. He further noted that the use of this technology in the production process would not impact the employment situation.
The Alliance of Motion Picture and Television Producers (AMPTP) rejected the offer and suggested having an annual get-together to talk about technical innovations.
Conover expressed that upon initially proposing [the plan] they believed that they were making the necessary precautions due to their apprehensions and the quick transformation of the area. Furthermore, they presumed that the issue wouldn’t spark debate since the current text-producing technology is not proficient enough to complete any kind of task that could be put to use at work.
The algorithms that power tools like ChatGPT do not provide fodder for amusement. Instead, the systems analyze extensive data sets to provide an expected response to inquiries. Hence, ChatGPT is aware of the gist of “Succession,” namely, the story of a father’s kids competing to take over his business. Nonetheless, it is probable that it won’t offer any dialogue more sophisticated than, “Who will be the successor? ” I.
Ben Zhao, a professor from the University of Chicago and head of the technology Glaze, which fights AI mimicry, argues that companies are exploiting AI technology as an excuse to lower the cost of human labor.
Zhao explained to TechCrunch that there is benefit for studios and larger corporations to exaggerate ChatGPT’s abilities, as this gives them leverage during negotiations and can lessen the importance of human creativity. Though, he is not sure how many people in these companies really trust what they are saying.
Conover highlighted that certain aspects of a scribe’s work are not as straightforward as composing a script but are just as hard to be mimicked by Artificial Intelligence.
He mentioned that this project is certainly a “human enterprise,” and it can’t be done by an AI since it involves talking with the set decoration team, reworking ideas, and making compromises. He suggested that the conversation might involve them asking if it would be possible to do something else instead of the originally envisioned prop.
Yedoye Travis, a comedian, recognizes the potential of Artificial Intelligence in a writing space.
He informed TechCrunch that what happenings in writers’ rooms primarily involves throwing out different ideas. Even if the suggestions aren’t necessarily great, an AI can produce a script in a fraction of the time that it would take for a human writer – and it’s simpler to revise than to create.
He is concerned that movie studios merely view this technology as a method to ask writers to accomplish more in a shorter amount of time and not as a chance to take advantage of its potential.
Travis remarked that they seem exclusively focused on the production of items, not ensuring that those involved in the creation of the items receive fair compensation.
Authors are pleading for the control of Artificial Intelligence in entertainment because its legality is uncertain.
Conover mentioned that a movie studio would not want to invest an extraordinary amount of money in a script if it is uncertain that the copyright belongs to them. He expressed his surprise that the AMPTP declined to agree to this idea, which he thought would be an uncomplicated concession.
Conover has stated that the idea of AI technology being a primary source of worry is irrelevant in this case and that the real issue lies in the payment rate for writers, which is low. He believes this is evident from the studios’ refusal to cooperate with the demands related to AI. The bottom line is that the people who drive Hollywood are not receiving the money they deserve.
Conover stated that he was not concerned about the technology itself, but rather the businesses who could potentially utilize technology that is subpar to lower the quality of workers’ conditions.
